It is evident that she loved Jason because she was willing to kill her own brother in his name. Hover for more information. Medea is a very complex character, which is what makes her such an endless source of fascination. Neither completely heroic nor totally villainous, she has both good and bad sides to her character.
Medea incited violence among family members and renounced her homeland. She killed her brother and incited violence against Peleas. Her methods are effective; Jason is decimated at the end of the play. The play is set during the time that the pair live in Corinth, when Jason deserts Medea for the daughter of King Creon of Corinth; in revenge, Medea murders her two sons by Jason as well as Creon and his daughter. Hera had vowed to avenge herself such ignominy and she chose to do this through Jason.
Happily Ever After? Tragic Past Did you know this about Greek drama? Watchers at the Edge The Chorus in Greek drama is physically separated from the main events, but always within hearing distance of the central characters. He Was a Bit of a Loner Euripides is said to have written his plays in a ten-chambered cave now known as the Cave of Euripides.
The Big Greek Trio One of the three major Greek tragedians that included Sophocles and Aeschylus, Euripides was known for creating fully developed female characters and for plays that centered on internal psychological conflict rather than on destiny driven dramas. Loading Comments Email Required Name Required Website.
Medea uses them as pawns in the murder of Glauce and Creon, and then kills them in the play's culminating horror. Their innocent deaths provide the greatest element of pathos--the tragic emotion of pity--in the play.
Composed of the women of Corinth, the chorus chiefly serves as a commentator to the action, although it occasionally engages directly in the dialogue. The chorus members fully sympathize with Medea's plight, excepting her eventual decision to murder her own children. The King of Corinth, Creon banishes Medea from the city. Although a minor character, Creon's suicidal embrace of his dying daughter provides one of the play's most dramatic moments, and his sentence against Medea lends an urgency to her plans for revenge.
Daughter of Creon, Glauce is the young, beautiful princess for whom Jason abandons Medea. Her acceptance of the poisoned coronet and dress as "gifts" leads to the first murder of the play. Although she never utters a word, Glauce's presence is constantly felt as an object of Medea's jealousy. Glauce is also referred to as Creusa. The King of Athens, Aegeus passes through Corinth after having visited the Oracle at Delphi, where he sought a cure for his sterility.
Medea offers him some fertility-inducing drugs in exchange for sanctuary in Athens. His appearance marks a turning point in the play, for Medea moves from being a passive victim to an aggressor after she secures his promise of sanctuary. The messenger appears only once in the play--he relates in gruesome, vivid detail the death scenes of Glauce and Creon, which occur offstage.
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